Review: Wuthering Heights

Wuthering Heights reaches new lows

Director: Andrea Arnold

Screenwriter: Andrea Arnold, Olivia Hetreed, based on the novel by Emily Brontë

Cast: Kaya Scodelario, James Howson, Shannon Beer, Solomon Glave and Oliver Milburn

New adaptation of Emily Brontë’s classic novel about frustrated love. When Heathcliffe (Solomon Glave/James Howson) is adopted by the Earnshaw family, he falls into a troubled romance between himself and his foster sister, Cathy (Kaya Scodelario/Shannon Beer).

Running Time: 128m 46s

Certificate: 15 - Contains strong language, once very strong, racist terms & animal killings

One wonders whether great stories can be adapted too much; if there is a point where the tale is so deeply ingrained in the public consciousness that it simply cannot survive another retelling. On the other hand, perhaps a story can survive endless tellings and retellings, or that a mark of a truly great narrative is that it does so.

Whatever one’s thoughts on those questions, Andrea Arnold’s adaptation of Wuthering Heights is a clear attempt to inject new life into the classic Emily Brontë story. More overt racial tensions have been thrown into the storyline with a black Heathcliffe (though given recent events, it may have been more relevant to keep him as a gypsy), and there is a greater emphasis on violence and brutality to both humans and animals than in many other versions of this work. Unfortunately, none of this serves to make a compelling watch.

Review: The Adventures of Tintin: The Secret of the Unicorn

Spielberg rediscovers the secret of the great blockbuster

Director: Steven Spielberg

Screenwriter: Steven Moffat and Edgar Wright & Joe Cornish

Cast: Jamie Bell, Andy Serkis, Simon Pegg, Nick Frost and Daniel Craig

When youthful journalist and adventurer Tintin buys a model ship in a market square, he has no idea what he has gotten himself into. His flat is ransacked, he is kidnapped and he goes on an adventure to discover the mysterious secret of the Haddock’s and the villainous Red Rackham.

Running Time: 106m 47s

Certificate: PG – Contains Moderate Fight Scenes

There has been something of a muted response to the Steven Spielberg-Peter Jackson’s first adaptation of The Adventures of Tintin. Many have found it to be unengaging and have said that the characters have not really been brought to life, amongst other criticisms.

Whilst some of these complaints are perfectly valid, most of them miss the point. This is a comic book brought to life on the screen, lovingly, effectively and thrillingly. It is not the greatest film that Spielberg has ever made, but it is him very much back on home territory, doing what he does best, and what he produces is a spectacular where what it lacks in real emotional heart is made up for in boys-own thrills.

Review: The Ides of March

Friends, Americans, Academy Voters: Lend George your Consideration

Director: George Clooney

Screenwriter: George Clooney, Grant Heslov, Beau Willimon, based on the play “Farragut North”, by Beau Willimon

Cast: Ryan Gosling, Evan Rachel Wood, Philip Seymour Hoffman, George Clooney and Paul Giamatti

Plot: The Democratic Presidential Primary race is finely poised. Governor Mike Morris (Clooney) holds a delicate lead over his opponent, but it is fragile. Working on his campaign is the young media mind, Stephen Meyers (Gosling), who is idealistic and believes in this candidate. However, he is the focal point for a series of events which will change the shape of the campaign and expose him to dirty tricks, all of which start when he is approached by opposing campaign manager, Tom Duffy (Giamatti), who suggests he changes sides.

Running Time: 100m 46s

Certificate: 15 - Contains strong language

One thing you can be sure about with George Clooney is that he is almost certainly going to turn out interesting work. Whatever project he’s connected with, whether as a live actor, writer-director or even just a voice actor, will be worth talking about. Even his last directorial effort, the American-Football-based screwball comedy Leatherheads, had a charm about it and a rich visual feel which was diverting, despite it being a total flop critically and commercially.

Here, he returns to the sort of terrain he was on with his best film, Good Night, and Good Luck. The setting of The Ides of March is political, the atmosphere is serious and the style leans toward the film noir. However, whereas Good Night was about issues as much as it was about character, the story here is one of loyalty and betrayal which just happens to have a political backdrop.

Film Review: Contagion

Coughs and sneezes spread diseases, and also make a very decent thriller

Director: Steven Soderburgh

Screenwriter: Scott Z. Burns

Cast: Matt Damon, Laurence Fishburne, Kate Winslet, Jude Law, Jennifer Ehle & Marion Cotillard

A virulent and highly deadly virus spreads across the globe after an initial breakout in South East Asia. As mortality rates rise and rise and chaos takes hold on the streets, the US Centre of Disease Control and the World Health Organisation struggle to find a cure.

Running Time: 106m 15s

Certificate: 12A - Contains moderate physical and psychological threat and brief medical gore

One of the messages of Contagion is that public hysteria is as dangerous as a vicious, international virus. Funny then that it’s being released in cold and flu season, as this quietly unnerving film will never let you look at coughs and sneezes in the same way ever again.

Review: Tyrannosaur

Considine's debut serves up a gruelling watch but a worthwhile one

Director & Screenwriter: Paddy Considine

Cast: Peter Mullan, Olivia Colman & Eddie Marsan

A widower who is violent, unemployed and running out of money and a Christian woman who is suffering from terrible abuse from her husband form an unlikely friendship.

Running Time: 92m 21s

Certificate: 18 - Contains very strong language and a scene of sexual violence

Paddy Considine is one of those ever-reliable performers. With a wide array of parts in films ranging from the black revenge thriller, Dead Man’s Shoes, to the Hollywood blockbuster, The Bourne Ultimatum, to the Pegg and Frost police comedy, Hot Fuzz, Considine has turned his hand to every kind of role and has always had found success. Now, he has started to show us that he is equally unflappable as a director.

The Human Centipede Banning Saga has been a Farce

Film takes 32 cuts to receive 18 certificate, and whips up its publicity in the process

There is something hugely appropriate that the premise of The Human Centipede involves people excreting and eating shit. I say this not as a criticism of the film as I have never stoked up the courage to watch the film. I say this as a comment on the ridiculous media posing which has accompanied the upcoming release of the second film, The Human Centipede II (Full Sequence). The film’s makers have been churning out excrement, and now we’re being asked whether or not we’d like to eat it.

Review: Terra Nova

Time-travel, Dinosaurs and Stephen Lang: this Sci-Fi Dream Team Should be Great Fun

On first showing, Terra Nova is the Harlem Globetrotters of sci-fi. Take a dash of Blade Runner for starters followed by a smidgeon of Stargate and a whole load of Avatar (there’s even Stephen Lang), mixed with Jurassic Park plus a little bit of Lost, and you have Terra Nova.

The set-up is that by the 22^nd Century, Earth has been utterly choked, but a rip in time has appeared providing a portal to a different time stream, 85 million years in the past. In short, mankind is going to the time of the dinosaurs to build a perfect new society, and we follow a family who are joining this brave new world.