The Artist’s
seemingly inexorable march toward numerous Oscar gongs continued last night
when Michel Hazanavicius was named as “Director of the Year” by the Director’s
Guild of America, a reliable indicator of Oscar success. This goes with its victory
at the Producer’s Guild Awards last week, all of which seem to indicate that
the French, black-and-white silent film is going to do extremely well when the
Academy hands out its awards in just under a month.
Can anything stop it? Well, it seems highly unlikely. The
electorate of the Academy has a very big overlap with the respective guilds
and, though some are inclined to vote differently when they’re handing out twenty-odd
awards rather than just one or two, it is very rare that they deviate too much
from how they voted for their guilds.
It has happened though, but usually when the three major
guilds (Producers, Directors and Actors) fail to concur with one another. The
most notable recent such occurrence was when Brokeback Mountain swept the board at the Producer’s and Director’s
guilds, but lost out at the Screen Actors’ Guild, who went for Crash. That film pulled off a shock by
beating Brokeback to the Best Picture
Oscar.
The Screen Actors’ Guild awards are held tonight, and they’re
results will almost complete the sketch of how we will expect the Oscars to go.
If The Artist wins the Best Ensemble
award, then it will be unstoppable in its assault on the Best Picture prize. It
would take something extraordinary to prevent it from winning. However, tonight
it will face stiff competition from The
Help, whose civil rights theme holds awards appeal and whose large ensemble
makes it more appealing to SAG voters.
As for Hazanavicius, he must now be the favourite for the Best Director prize, but I have a suspicion that Martin Scorsese may sneak it. There is a lot of affection for Marty and even more guilt that he hasn’t won the Oscars he deserved. The Academy also seem to really like Hugo, so they may decide to give Scorsese the conciliation of a Best Director gong. Other than that, the Oscar race is looking increasingly predictable.
As for Hazanavicius, he must now be the favourite for the Best Director prize, but I have a suspicion that Martin Scorsese may sneak it. There is a lot of affection for Marty and even more guilt that he hasn’t won the Oscars he deserved. The Academy also seem to really like Hugo, so they may decide to give Scorsese the conciliation of a Best Director gong. Other than that, the Oscar race is looking increasingly predictable.
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