9. Extremely Loud & Incredibly Close – Truly one of the worst Best
Picture nominees ever, Stephen Daldry’s cold and irritating post-9/11 dirge is
boring, manipulative and features the most annoying child character for quite
some time. To get on this year’s list, 5% of Academy voters had to put the film
as their first choice. How they could do that for this tripe and not for films
such as Tinker Tailor Soldier Spy or We Need to Talk About Kevin is just
beyond the comprehension of the sane and rational.
Film, TV and the Arts
Film, TV and the Arts
Showing posts with label The Help. Show all posts
Showing posts with label The Help. Show all posts
Sunday, 26 February 2012
The Best Picture Nominees Ranked and Reviewed
The Best Picture Nominees Reviewed Ahead of Tonight's Oscars
Friday, 24 February 2012
Potential Oscar Shocks
The Oscars seem predictable this year, but are there some surprises on the horizon?
The awards season finally comes to an end this weekend with
the 84th Academy Awards, the Oscars, taking place on Sunday evening
in Hollywood. What
originally held some promise to be one of the most keenly contested races for
quite some time, has, like so many races before, become a procession in
favour of one film.
There is no real doubt that The Artist
will be dominating the world’s press for the last time on Monday morning,
but Oscar has shocked us before and there is the slim possibility that it may
do so this year. So, in the most probably vain hope of surprise, let’s go
looking for some potential Oscar shocks.
Sunday, 12 February 2012
BAFTA Preview: Best Film and Full List of Predictions
In a battle of two much-admired films, the sheer amount of love for The Artist will carry the day
The Oscars have a list of nine films for Best Picture. BAFTA
has five films in its list for Best Film. BAFTA’s list is better, for BAFTA
includes The Artist and The Descendants, two of the finest films
you’d wish to see, the worthy The Help,
which was surprisingly nominated ahead of Hugo,
and it includes Drive, one of the
most brilliantly well-executed films of the year, and, of course, it is the
only major awards body to have given a nomination to the best film of 2011,
namely Tinker Tailor Soldier Spy.
So, who will win?
Labels:
Awards,
BAFTAs,
Drive,
Film Comment,
Hugo,
The Artist,
The Descendants,
The Help,
Tinker Tailor Soldier Spy
Tuesday, 7 February 2012
BAFTA Preview: Best Supporting Actress
Having praised BAFTA yesterday for its Best Actor picks, I
must express a certain degree of bemusement over its selections for Supporting
Actress. It has largely followed the line of other awards ceremonies, nominating
Octavia Spencer and Jessica Chastain for their performances in The Help, and Melissa McCarthy for her
comedic turn in Bridesmaids. However,
it has deviated from others by nominating Carey Mulligan in Drive, and Judi Dench in My Week with Marilyn.
Sunday, 29 January 2012
Can anything stop The Artist?
The Artist’s
seemingly inexorable march toward numerous Oscar gongs continued last night
when Michel Hazanavicius was named as “Director of the Year” by the Director’s
Guild of America, a reliable indicator of Oscar success. This goes with its victory
at the Producer’s Guild Awards last week, all of which seem to indicate that
the French, black-and-white silent film is going to do extremely well when the
Academy hands out its awards in just under a month.
Labels:
Awards,
DGAs,
Film Comment,
Hugo,
Martin Scorsese,
Michel Hazanavicius,
Oscars,
PGAs,
SAGs,
The Artist,
The Help
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