Gravity

Finally, a 3D film to get excited about

There are two things you should know about Gravity, the new film from Alfonso Cuarón (Children of Men, Y Tu Mama Tambien) starring Sandra Bullock and George Clooney. The first is that you should go and see it. To put it simply, it’s really good: a 90 minute cascade of adrenaline – a thriller made with tremendous care and attention to detail that is undoubtedly one of the best films you’re likely to see all year.

The second thing to know is that you should see it in 3D, and preferably in IMAX. I have written previously about my opposition to how stereoscopy has been used in recent years, but I genuinely think that Gravity is an absolute first: a film intended for mass release that has been meticulously designed for 3D by a director who really knows how to use it. Even Mark Kermode, the Commander-in-Chief of the anti-3D army, has been forced to admit that “Gravity is worth seeing in 3D”.

Potential Oscar Shocks

The Oscars seem predictable this year, but are there some surprises on the horizon?

The awards season finally comes to an end this weekend with the 84^th Academy Awards, the Oscars, taking place on Sunday evening in Hollywood.  What originally held some promise to be one of the most keenly contested races for quite some time, has, like so many races before, become a procession in favour of one film.

There is no real doubt that The Artist will be dominating the world’s press for the last time on Monday morning, but Oscar has shocked us before and there is the slim possibility that it may do so this year. So, in the most probably vain hope of surprise, let’s go looking for some potential Oscar shocks.

BAFTA Preview: Best Actress

There are contenders other than Dame Meryl

A few months ago, the Best Actress category was looking pretty simple. No matter which awards body it was, they were going to vote for Meryl Streep’s incredible, engrossing and moving portrayal of Margaret Thatcher in The Iron Lady. However, queries have been raised since then about how inevitable Streep’s victory is.

BAFTA Preview: Best Actor

In the first part of Reel 6's week-long preview of the BAFTAs, it's Oldman vs. Fassbender for Best Actor

The BAFTAs are the awards body which gets the nominations right. On the whole, that is. Though they occasionally over reward the British contingent when the awards are handed out, they do at least recognise more of the very best in film than Oscar actually does. No category represents this better this year than Best Actor.

BAFTA is in line with everyone else in appreciating the excellence of George Clooney (The Descendants) and Jean Dujardin (The Artist), who appear to be the two battling it out for the Oscar. They have also been charmed by Brad Pitt (Moneyball), but it is two Brits (well, a Brit and an Irishman) who seem to be in pole position for the BAFTA.

Review: The Descendants

Alexander Payne's latest is a funny and moving masterpiece

Director: Alexander Payne

Screenwriter: Alexander Payne, Nat Faxon, Jim Rash, based on the novel by Kaui Hart Hemmings

Cast: George Clooney (Matt King), Shailene Woodley (Alex King), Amara Miller (Scottie King), Nick Krause (Sid), Beau Bridges (Cousin Hugh) and Robert Forster (Scott Thorson)

Plot: A father's life is thrown into turmoil when his wife is plunged into a coma and he has to take care of his children, right at the point that he has to make a major financial decision. On top of this, he discovers that his wife has been having an affair, and resolves to go and find the man she was sleeping with to tell him about her condition.

Running Time: 114m 54s

Certificate: 15 - Contains Strong Language

Alexander Payne is the master of the mid-life crisis. Whether it was Matthew Broderick’s disillusioned high school teacher in Election, or Jack Nicholson’s bewildered widower in About Schmidt, or Paul Giamatti’s lonely wine-snob in Sideways, Payne focuses on middle-aged men who still haven’t worked out love, life and, quite often, death.

In The Descendants, he is on familiar territory once again. George Clooney plays Matt King, a real estate lawyer, whose wife has been plunged into a coma after a boating accident, right at the point that he, the sole remaining trustee of thousands of acres of virgin Hawaiian land, has to decide who he’s going to sell it to before the trust dissolves. Stale love and wrangling about property: it’s what I’m expecting from my fifties.

Review: The Ides of March

Friends, Americans, Academy Voters: Lend George your Consideration

Director: George Clooney

Screenwriter: George Clooney, Grant Heslov, Beau Willimon, based on the play “Farragut North”, by Beau Willimon

Cast: Ryan Gosling, Evan Rachel Wood, Philip Seymour Hoffman, George Clooney and Paul Giamatti

Plot: The Democratic Presidential Primary race is finely poised. Governor Mike Morris (Clooney) holds a delicate lead over his opponent, but it is fragile. Working on his campaign is the young media mind, Stephen Meyers (Gosling), who is idealistic and believes in this candidate. However, he is the focal point for a series of events which will change the shape of the campaign and expose him to dirty tricks, all of which start when he is approached by opposing campaign manager, Tom Duffy (Giamatti), who suggests he changes sides.

Running Time: 100m 46s

Certificate: 15 - Contains strong language

One thing you can be sure about with George Clooney is that he is almost certainly going to turn out interesting work. Whatever project he’s connected with, whether as a live actor, writer-director or even just a voice actor, will be worth talking about. Even his last directorial effort, the American-Football-based screwball comedy Leatherheads, had a charm about it and a rich visual feel which was diverting, despite it being a total flop critically and commercially.

Here, he returns to the sort of terrain he was on with his best film, Good Night, and Good Luck. The setting of The Ides of March is political, the atmosphere is serious and the style leans toward the film noir. However, whereas Good Night was about issues as much as it was about character, the story here is one of loyalty and betrayal which just happens to have a political backdrop.