Review: Prometheus

In film, no one builds worlds like Ridley Scott

It has often been said that Ridley Scott is at his best when he is creating worlds. Gladiator and Blade Runner stand as testament to this, but on a smaller scale, though no less impressive, sits Alien, his 1979 Sci-Fi horror.

The success of that film is down largely to its incredible design. Not only do we have the worn-down, yet futuristic, confined spaceship, but in the film’s first act we have this intriguing planet, complete with mysterious, wrecked starship and an infestation of the eponymous beasties. The world is complete, draws you in and makes a not too comfortable place to have your fears played out.

That legacy of original design was trampled upon in James Cameron’s bland, action follow-up, Aliens, and the less said about Alien³ and Alien: Resurrection the better, but now, 33 years after the original, we get a new edition from the Alien universe: Prometheus.

Scott has hesitated to call this a prequel. Whilst it technically is, one can see just cause for his reticence. This film could readily stand on its own, so if you haven’t seen the original film, this is open to you. If you have seen the original, then let me assure you: it will be satisfying.

Review: The Ides of March

Friends, Americans, Academy Voters: Lend George your Consideration

Director: George Clooney

Screenwriter: George Clooney, Grant Heslov, Beau Willimon, based on the play “Farragut North”, by Beau Willimon

Cast: Ryan Gosling, Evan Rachel Wood, Philip Seymour Hoffman, George Clooney and Paul Giamatti

Plot: The Democratic Presidential Primary race is finely poised. Governor Mike Morris (Clooney) holds a delicate lead over his opponent, but it is fragile. Working on his campaign is the young media mind, Stephen Meyers (Gosling), who is idealistic and believes in this candidate. However, he is the focal point for a series of events which will change the shape of the campaign and expose him to dirty tricks, all of which start when he is approached by opposing campaign manager, Tom Duffy (Giamatti), who suggests he changes sides.

Running Time: 100m 46s

Certificate: 15 - Contains strong language

One thing you can be sure about with George Clooney is that he is almost certainly going to turn out interesting work. Whatever project he’s connected with, whether as a live actor, writer-director or even just a voice actor, will be worth talking about. Even his last directorial effort, the American-Football-based screwball comedy Leatherheads, had a charm about it and a rich visual feel which was diverting, despite it being a total flop critically and commercially.

Here, he returns to the sort of terrain he was on with his best film, Good Night, and Good Luck. The setting of The Ides of March is political, the atmosphere is serious and the style leans toward the film noir. However, whereas Good Night was about issues as much as it was about character, the story here is one of loyalty and betrayal which just happens to have a political backdrop.

Film Review: Contagion

Coughs and sneezes spread diseases, and also make a very decent thriller

Director: Steven Soderburgh

Screenwriter: Scott Z. Burns

Cast: Matt Damon, Laurence Fishburne, Kate Winslet, Jude Law, Jennifer Ehle & Marion Cotillard

A virulent and highly deadly virus spreads across the globe after an initial breakout in South East Asia. As mortality rates rise and rise and chaos takes hold on the streets, the US Centre of Disease Control and the World Health Organisation struggle to find a cure.

Running Time: 106m 15s

Certificate: 12A - Contains moderate physical and psychological threat and brief medical gore

One of the messages of Contagion is that public hysteria is as dangerous as a vicious, international virus. Funny then that it’s being released in cold and flu season, as this quietly unnerving film will never let you look at coughs and sneezes in the same way ever again.

Review: Tinker Tailor Soldier Spy

An unexpected man is atop cinema's circus


Director: Tomas Alfredson
Screenwriters: Bridget O'Connor & Peter Straughan, based on the novel by John le Carré
Cast: Gary Oldman, Colin Firth, Tom Hardy, John Hurt, Toby Jones, Mark Strong, Benedict Cumberbatch, Ciaran Hinds and David Dencik
Plot: A mission is botched in Hungary, and the ruling order of MI:6 is sent packing. However, when it emerges that there is a long-standing and high-ranking mole, one of the retired spies, George Smiley, is brought back to "the circus" to find the traitor.
Running Time: 127m 21s
Certificate: 15 - Contains strong language, sex, violence and bloody injury detail

Cinema has a new number one spy. Grey-haired, myopic and a cuckold, George Smiley is a million miles away from James Bond or Jason Bourne, and whereas they would thrill audiences with car chases and gunfights, Smiley exhilarates by interrogating an empty chair.

The fact is that comparisons between those franchises and Tinker Tailor Soldier Spy are flawed for so many reasons, but if this film is successful (and it has great potential to be so) it will be a great victory for the sort of intelligence which was merely glimpsed in Casino Royale and entirely absent from Quantum of Solace. With a potential trilogy in the offing, could it be that the multiplexes are about to adore a spy who is “small, podgy, and at best middle-aged”?


Read the rest on The Spectator Arts Blog

John le Carré on Film: The Spy Who Came in from the Cold

A look at the first le Carré film adaptation

Tinker Tailor Soldier Spy is released on Friday, and it is a magnificent film – atmospheric, thrilling and supremely well-acted, it is a piece of filmmaking precision based on a terrific story by John le Carré. I urge you to go and see it, but if you’re stuck at home, try and get a hold of The Spy Who Came in from the Cold.

Review: The Skin I Live In

In the hands of a madman...

Director: Pedro Almodóvar

Screenwriter: Pedro Almodóvar, based on the novel “Tarantula”, by Thierry Jonquet

Cast: Antonio Banderas, Elena Anaya, Jan Cornet, Marisa Paredes, Blanca Suarez & Roberto Alamo

Plot: Doctor Robert Ledgard is a successful plastic surgeon living in a secluded where he is keeping “a patient”, the beautiful Vera, in total isolation. The arrival of the maid’s criminal son arrives whilst Robert is away triggers a series of recollections about Robert’s tragic past, how Vera came to be there and what her surgery may have been for.

Running Time: 120m 19s

Certificate: 15 - Contains strong sex, sexual violence, brief gore & very strong language

The issue of spoilers in reviews is a tricky one. You must give a small idea of what the plot is but shouldn’t give away too much. It’s the observer effect in film form – to talk to somebody about watching a film is to change their experience of watching it. In the case of Pedro Almodóvar’s new film, The Skin I Live In, it feels as though to say anything about the content of the film or even the films it is drawn from is to tamper with it.