Come back Woody! All is forgiven!

Hollywood is welcoming one of its favourite sons back into the fold

Woody Allen’s Midnight in Paris is steadily picking up nominations in the awards season, including a Best Ensemble Cast SAG nomination, and four at the Golden Globes. In all honesty, the warmth of this reception is in part down to the fact that Hollywood has never fallen out of love with Woody. He remains one of America’s most enduringly popular directors, despite that fact that he often turns out disappointing films. His back catalogue has earned him a lot of leeway.

It is also down to the high enjoyment factor of Midnight in Paris. To those that have not seen it, I highly recommend it, but to read any more of this article may ruin it for, as there is a central conceit which has to be revealed in order to discuss it. I would suggest that the film is seen before this is read.

Film Review: Contagion

Coughs and sneezes spread diseases, and also make a very decent thriller

Director: Steven Soderburgh

Screenwriter: Scott Z. Burns

Cast: Matt Damon, Laurence Fishburne, Kate Winslet, Jude Law, Jennifer Ehle & Marion Cotillard

A virulent and highly deadly virus spreads across the globe after an initial breakout in South East Asia. As mortality rates rise and rise and chaos takes hold on the streets, the US Centre of Disease Control and the World Health Organisation struggle to find a cure.

Running Time: 106m 15s

Certificate: 12A - Contains moderate physical and psychological threat and brief medical gore

One of the messages of Contagion is that public hysteria is as dangerous as a vicious, international virus. Funny then that it’s being released in cold and flu season, as this quietly unnerving film will never let you look at coughs and sneezes in the same way ever again.

Juror's Film Festival: Big Fish (Tim Burton, 2003)

Tim Burton often thrives on blurring the lines between fairy tale and reality, but whereas with Edward Scissorhands the fairy tale bursts into a world of Americana as an alien force, here the two sit side-by-side, almost undifferentiated.

The story is of Edward Bloom (Albert Finney/Ewan McGregor), a teller of tall tales who is coming to the end of his time. His son, however, has tired of the blatant exaggerations and falsehoods that his father still tells. Over the course of Edward’s last days, the story of his life is recounted, strange and fantastical in its nature, but as his son, Will (Billy Crudup), investigates his father’s life, he discovers that there may be more truth in his father’s stories than he suspected.