Film, TV and the Arts

Film, TV and the Arts
Showing posts with label Avatar. Show all posts
Showing posts with label Avatar. Show all posts

Tuesday, 5 November 2013

Gravity

Finally, a 3D film to get excited about


There are two things you should know about Gravity, the new film from Alfonso CuarĂ³n (Children of Men, Y Tu Mama Tambien) starring Sandra Bullock and George Clooney. The first is that you should go and see it. To put it simply, it’s really good: a 90 minute cascade of adrenaline – a thriller made with tremendous care and attention to detail that is undoubtedly one of the best films you’re likely to see all year.

The second thing to know is that you should see it in 3D, and preferably in IMAX. I have written previously about my opposition to how stereoscopy has been used in recent years, but I genuinely think that Gravity is an absolute first: a film intended for mass release that has been meticulously designed for 3D by a director who really knows how to use it. Even Mark Kermode, the Commander-in-Chief of the anti-3D army, has been forced to admit that “Gravity is worth seeing in 3D”.

Wednesday, 28 September 2011

Is 3D dying or has it merely stumbled?


The future for 3D looks pretty bleak, but are things as bad as they seem?


Two weeks ago, I was able to ask Mark Kermode a question: how long do you think 3D has to last? “Less than 12 months”, he replied. I was staggered by his confidence. After all, there are two big films coming up this year which will make money in 3D, namely the Spielberg-Jackson production of Tintin and Martin Scorsese’s Hugo. Then, in 15 months’ time, we have The Hobbit in 3D. There seems to be plenty of opportunity for the medium to fire itself back to life.

Monday, 15 August 2011

The Serkis Phenomenon


Andy Serkis performing as Caesar in Rise of the Planet of the Apes
The time has come to honour Andy Serkis
 
In a small room somewhere, about 12 years ago, an unknown British actor did something which changed cinema forever. He was auditioning to be the voice of a very big role - one of the most famous literary characters ever – but he didn’t just do the voice but gave an entire performance, changing himself physically and working through the scene as any actor playing a normal part would.