Reel 6 and The Huffington Post

I am very excited to announce that I am now blogging for The Huffington Post UK. The first article, on The Amazing Spider-Man, The Bourne Legacy and others, "Giving it the Reboot" is up and available to read here.

The Reel 6 blog will continue to work away here with reviews, looks at trailers and other posts.

Review: The Dark Knight Rises

The Dark Knight Rises, if not to new heights, then to a thrilling finale

The Dark Knight is risen. He is risen indeed. Christopher Nolan’s third Batman film promised to be an epic conclusion to The Dark Knight saga, and it is truly epic in ambition, scale and action. Though there is no use in claiming that The Dark Knight Rises is perfect, for those who are fanatical about the films it should be an incredibly satisfying end to the trilogy.

We return to Gotham eight years since The Dark Knight. The streets have been cleaned up with the help of the heroic example of the myth of Harvey Dent. Bruce Wayne has become a recluse and Batman is no longer required. All seems well. However, a new villain is on the horizon in the form of the masked man-mountain, Bane. His intentions are unclear. All that is apparent is that he should be feared. As dangers mount, will Batman return?

Profile: Christopher Nolan

Ahead of the release of The Dark Knight Rises, Reel 6 re-evaluates the career of one of the world's most talented filmmakers

There have been few directors as obviously talented as Christopher Nolan. The simple fact is that he has never made a bad film. His least good film is Insomnia, and that is a very watchable, solidly put together thriller: not poor by any means. The man has the consistency of a metronome.

Yet, it is fascinating to look at how this filmmaker has developed. The former English Lit. student at UCL never went to film school, and has described himself as learning by going out and making films. Certainly, this is borne out by how his movies have developed and improved.

Lost in Translation?

A few thoughts on the cons (and pros) of English language remakes

“English. English. English is best. I wouldn’t give tuppence for all of the rest.” So goes the logic of the Hollywood executive it seems, as they continue to commission English language remakes of foreign films. It is rightly assumed that executives are pro these remakes because of their seemingly predictable financial success. The idea has already found an audience and is now being translated into English for a wider, western audience.

The figures do not back this up however. The most common rehashes are of oriental horror films such as The Ring, The Grudge and Dark Water. Some of these do achieve huge financial success in their English forms (The Ring), but many do averagely or worse (Dark Water was a big flop).

However, whilst the misguided accountant has clear (if wrong) reasons for wanting to remake the films, the filmmaker’s motives are often more questionable. Why remake a film unless you wanted to do something new with it?

Review: Prometheus

In film, no one builds worlds like Ridley Scott

It has often been said that Ridley Scott is at his best when he is creating worlds. Gladiator and Blade Runner stand as testament to this, but on a smaller scale, though no less impressive, sits Alien, his 1979 Sci-Fi horror.

The success of that film is down largely to its incredible design. Not only do we have the worn-down, yet futuristic, confined spaceship, but in the film’s first act we have this intriguing planet, complete with mysterious, wrecked starship and an infestation of the eponymous beasties. The world is complete, draws you in and makes a not too comfortable place to have your fears played out.

That legacy of original design was trampled upon in James Cameron’s bland, action follow-up, Aliens, and the less said about Alien³ and Alien: Resurrection the better, but now, 33 years after the original, we get a new edition from the Alien universe: Prometheus.

Scott has hesitated to call this a prequel. Whilst it technically is, one can see just cause for his reticence. This film could readily stand on its own, so if you haven’t seen the original film, this is open to you. If you have seen the original, then let me assure you: it will be satisfying.

Dark Shadows: Have Burton and Depp lost the element of surprise?

Some say "We've seen it all before", but could it be more a case of "If it ain't broke, don't fix it"

Tim Burton and Johnny Depp are copping some flack at the moment for their recent work, and in particular their new film Dark Shadows. The magic has gone, say some. The ideas are falling flat, say others. However, the number one criticism they’re facing is that we’ve seen it all before.

Some have tired of the comic-gothic Burton sensibility, the extravagant Depp performances and bemoan a lack of invention, a characteristic which was abundant in their earlier work. That last point carries some weight. Despite its entertaining premise, there is precious little genuine originality on show here, particularly in an age when vampire films are ubiquitous and often parodied. However, the general criticism that Burton and Depp are covering well-trodden ground can be looked at another way: if it ain’t broke, don’t fix it.

Review: Marley

Kevin Macdonald's detailed documentary provides an insight into the enigmatic reggae icon

Bob Marley’s music is some of the most ubiquitous and universally popular ever written. A mainstay of teenage iTunes collections, Marley’s reggae seems destined to remain widely listened to and adored. However, it is certainly the case that Marley the man is not so well known. The image emblazoned on t-shirts and posters worldwide, is the face of an enigmatic man.

Kevin Macdonald’s epic documentary, Marley, attempts to tell the story of this man, drawing on the wealth of material which the Marley estate has in its possession, new interviews with many of Marley’s relations, friends and closest associates, and, of course the music.